Det­ta­glio del pro­get­to ed. 2016

par­­ro­­quia-iesu / Rafael Moneo Arqui­tec­to SL

Pro­get­ti­sta  Rafael Moneo
Loca­tion  San Seba­stián (ave­ni­da de Bar­ce­lo­na nº2)
Desi­gn Team  

Rafael Moneo, David Good­man, Eduar­do Aril­la, Gabriel Fer­­ná­n­­dez-Aba­­scal, Luis Ramos

Anno  2011
Cre­di­ti Fotografici  

All the pic­tu­res ©Fran­ci­sco Berreteaga

Foto ester­ni:

Descri­zio­ne del progetto

After the Los Ange­les Cathe­dral, the Ribe­ras de Loio­la Parish Church built on the mean­de­ring river Uru­mea is a new expe­rien­ce for the archi­tect in the com­plex ter­ri­to­ry of reli­gious archi­tec­tu­re. And so,if the Los Ange­les’ com­mis­sion was inti­mi­da­ting for the sym­bo­lic pre­sen­ce asser­ted by the Cathe­dral and by its sca­le, the Ribe­ras de Loio­la Parish Church if free of such bur­dens. In this case, the archi­tect is asked to pro­vi­de a spa­ce that con­tri­bu­tes to the life of a Chri­stian com­mu­ni­ty amid­st our plu­ra­li­stic and diver­se society.
The Parish Church was thus crea­ted with a wil­ling­ness to pro­vi­de ser­vi­ce, at the thre­shold of a resi­den­tial area con­nec­ted to the city by a park. In the Parish Church, it is no lon­ger the volu­me that impo­ses itself but rather and the sharp need­le of its stee­ple that iden­ti­fies the church as the axis around which all social life ine­vi­ta­bly revol­ves. The com­pact volu­me of the Parish Church offers itself with an open gestu­re: as an island that is always rea­dy to wel­co­me eve­ryo­ne, not only tho­se who share the same faith. A patio, a porch, lec­tu­re halls, work­shops, accom­mo­da­tion for the pastor and the cura­tes … and, on the ground floor, ope­ning direc­tly onto the park, a super­mar­ket, which we under­stand as a mee­ting pla­ce: an con­tem­po­ra­ry ver­sion of the mar­ke­ts in the por­ti­cos of histo­ric cities.
Befo­re rea­ching the church entrance,there is a fil­ter spa­ce to make us aware of what we seek when we go to church. The spa­ce is abstract, cubic, and its ver­ti­cal natu­re makes is qui­te dif­fe­rent from what we under­stand in our cul­tu­re as the typi­cal reli­gious spa­ce, the spa­ce that we admi­re in Gothic cathe­drals. Again, the cross on the cei­ling and with it the pre­sen­ce of light, as the meta­pho­ri­cal mani­fe­sta­tion of transcendence.
To con­clu­de I should men­tion how much all of us invol­ved in the con­struc­tio­nof this Parish Church felt the pre­sen­ce of the work of Otei­za and Chil­li­da: hopefully,in itsar­chi­tec­tu­re the­re will remain a tra­ce of their teachings

Rela­zio­ne illu­stra­ti­va del progetto
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Foto inter­ni

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