Det­ta­glio del pro­get­to ed. 2016

exte­n­­sion-of-the-mona­­ste­­ry-of-st-peter-rega­­la­­do / Resetland

Pro­get­ti­sta  Eduar­do Del­ga­do Orusco
Loca­tion  La Agui­le­ra, Bur­gos (Spain)
Desi­gn Team  

Eduar­do Del­ga­do Oru­sco, Juan Enri­que Álva­rez, Alber­to Comas, Miguel Qui­rós Este­ban, Javier Rin­cón Sán­chez, Ele­na Múji­ca, Sonia Díez, Hugo Her­re­ra, Pilar Díez

Anno  2014
Cre­di­ti Fotografici  

EXT 01: Javier Rin­cón Sánchez
EXT 02: Javier Rin­cón Sánchez
EXT 03: Javier Rin­cón Sánchez
EXT 04: Javier Rin­cón Sánchez
EXT 05: Javier Rin­cón Sánchez
INT 01: Javier Rin­cón Sánchez
INT 02: Javier Rin­cón Sánchez
INT 03: Javier Rin­cón Sánchez
INT 04: Javier Rin­cón Sánchez
INT 05: Javier Rin­cón Sánchez

Foto ester­ni:

Descri­zio­ne del progetto

The expan­sion pro­ject of the Mona­ste­ry of La Agui­le­ra responds to the set­tle­ment of the Iesu Com­mu­nio Insti­tu­te from the near­by town of Ler­ma, in a for­mer Fran­sci­scan esta­blish­ment dating back to the fif­teenth century.

The enor­mous empa­thy and sen­si­ti­vi­ty of the nuns, mani­fe­sted in their atten­tion to the pil­grims that visit them, led to the need to com­ple­te the pro­gram of the ori­gi­nal mona­ste­ry with some new buil­dings plan­ned inde­pen­den­tly althou­gh logi­cal­ly lin­ked by cove­red cir­cu­la­tions: a church, who­se inner spa­ce would favor a par­ti­ci­pa­to­ry and mee­ting litur­gy with pil­grims; seve­ral buil­dings of par­lors –as a new mee­ting point bet­ween the Com­mu­ni­ty and the pil­grims– qua­li­fied by its size; and a spe­ci­fic trai­ning area within the cloi­ster. Simi­lar­ly, the strength and youth of this Com­mu­ni­ty invi­ted to a func­tio­nal land­sca­pe treat­ment, both in the area dedi­ca­ted for the nuns like the pil­grims, lea­ding to a group of open spa­ces ran­ging from the recep­tion squa­re to the inner recrea­tio­nal areas.

The ove­rall geo­me­try of the new inter­ven­tion responds to a meta­phor based on the print that rain­drops lea­ve on the ground, under­stood this in turn as the ima­ge of the rela­tion­ship bet­ween Hea­ven and Earth. The buil­dings, of cir­cu­lar plan and geo­me­try appro­xi­ma­te­ly cylin­dri­cal, colo­ni­ze the avai­la­ble area in an appa­ren­tly ran­dom way, for­ming an open land­sca­pe that con­trasts har­mo­niou­sly with the ori­gi­nal set. Likewi­se the orga­ni­za­tion of the outer spa­ces lin­ked to the pil­grims fol­lo­ws a simi­lar arran­ge­ment, dra­wing the boun­da­ries of the­se small squa­res or rela­tion spa­ces to be tai­lo­red to the con­tours of the land. The result is a kind of lin­ker of open and built spa­ces that frag­ment the lar­ge action area, he who­le of it wrap­ped by the walls of the old convent.

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