Det­ta­glio del pro­get­to ed. 2016

casas-mor­­tua­­rias-de-alha­n­­dra-mor­­tua­­ry-hou­­ses-alha­n­­dra / Pedro Matos Gamei­ro arqui­tec­to, lda

Pro­get­ti­sta  Pedro Matos Gameiro
Loca­tion  Alhan­dra, Portugal
Desi­gn Team  

Pedro Matos Gamei­ro (coor­di­na­tor)
João Maria Trin­da­de, Car­los Cre­spo, Gonça­lo Pinheiro

Anno  2008
Cre­di­ti Fotografici  

FG+SG Fer­nan­do Guerra

Foto ester­ni:

Descri­zio­ne del progetto

In the most remar­ka­ble pla­ce bet­ween Lisboa and Vila Fran­ca de Xira, rises the pro­mon­to­ry of Alhan­dra, hal­lo­wed by a Church and a ceme­te­ry. This pla­ce, a ter­ra­ce over an increa­sin­gly lar­ger Tejo river, domi­na­tes the sur­roun­dings. In front of the Church we can find a irre­gu­la­ral­ly sha­ped square.
The mor­tua­ry hou­ses’ desi­gn seeks to rede­fi­ne the squa­re, reen­for­cing its mea­nings, pro­vi­ding it with inten­cio­nal and cere­mo­nial purpose.
From the game of death we can recall the con­fi­ned paths bet­ween the gra­ves and the peren­nial and volu­me­tric cha­rac­te­ri­stics of it substance.
The quar­ries, in its essen­ce, allow us to ima­gi­ne this buil­ding as an enor­mous fur­ro­wed sto­ne block, sha­ped like it was extrac­ted from the ground, sho­wing it’s scars and wounds, breaks and folds used to orga­ni­ze the lighting, to defi­ne ben­ches, or to let the light in the chambers.
We orga­ni­ze the spa­ce in each cham­ber, throu­gh a woo­den con­ti­nuous ele­ment that beco­mes the pave­ment, a lon­gi­tu­di­nal bench and the door.
The gates are an exact copy of the ceme­te­ry gate, to insu­re secu­ri­ty and to con­nect the two moments.

Rela­zio­ne illu­stra­ti­va del progetto
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Foto inter­ni

Dise­gni tecnici

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