Det­ta­glio del pro­get­to ed. 2016

cole­­gio-mayor-inte­r­­na­­cio­­nal-bida­­soa-bida­­soa-inte­r­­na­­tio­­nal-semi­­na­­ry / Rubén J Labia­no, Architect

Pro­get­ti­sta  Rubén J Labiano
Loca­tion  CIZUR MENOR, NAVAR­RA, SPAIN
Desi­gn Team  

Rubén J. Labia­no Novoa, PhD Architect
Jesús Bazal Cor­ra­les, PhD Architect

Anno  2011
Cre­di­ti Fotografici  

Pedro Pege­nau­te, Photographer

Foto ester­ni:

Descri­zio­ne del progetto

Pro­mo­ted by a foun­da­tion com­mit­ted to the pro­mo­tion of cul­tu­re, the Main Cha­pel of the Cole­gio Ecle­siá­sti­co Inter­na­cio­nal ‘Bida­soa’ (Bida­soa Inter­na­tio­nal Semi­na­ry) is in Cizur Menor, a Spa­nish vil­la­ge next to Pam­plo­na uni­ver­si­ty cam­pus. The plot is pla­ced in an ele­va­ted slo­ping area over­loo­king the Elorz River, the rail­way and a the high­way. The semi­na­ry is very clear from the for­mal point of view: a lon­gi­tu­di­nal lay­out for the the rooms, and a plinth for the com­mon areas. Over the plinth emer­ge the two volu­mes of cha­pels orien­ted towards the east.
The Main Cha­pel has a direct access from the “cloi­ster”, a spa­ce with an over­whel­ming mate­rial and for­mal inten­si­ty expres­si­ve of its spi­ri­tual iden­ti­ty. The­re are two paral­lel cha­pels sepa­ra­ted by the sacri­sty. Two dif­fe­rent ambian­ces con­fi­gu­red by GRC, wood and pla­sters walls. The figu­ra­ti­ve ico­no­gra­phy, made by the sculp­tor Javier Viver, is made in GRC and resins, ima­ges pyro­gra­phed in sil­ver leaf. The hall per­mi­ts the cir­cu­la­tions cloi­­ster-cha­­pel-sacri­­sty and along the con­fes­sio­nal boxes and boo­k­ca­ses. A solu­tion of a cove­ring with the base of metal­lic truss reco­ve­red infe­rior­ly by a cei­ling dashed with lou­vers or tim­bers of per­fo­ra­ted acou­stic wood. A big ope­ning abo­ve the north of the cha­pel gua­ran­tees the pene­tra­tion of a natu­ral light without a direct radia­tion from the sun. On the part of the sanc­tua­ry, an ope­ning with lighting from an outer patio per­mi­ts a direct ven­ti­la­tion. The entran­ce of the light is sif­ted throu­gh pla­tes of ala­ba­ster incor­po­ra­ted on the glass. The floor of the nave is slightly incli­ned. The sanc­tua­ry is ele­va­ted to accen­tua­te its visi­bi­li­ty and cen­tra­li­ty. The choir loft forms a ‘L’. A cei­ling is acces­si­ble for main­te­nan­ce. The sacri­sty in bet­ween the two cha­pels to faci­li­ta­te an easier con­nec­tion and a bet­ter acou­stic iso­la­tion in case of a simul­ta­neous use. The small cha­pel is ador­ned with rela­ti­ve­ly sim­ple mate­rials and keeps the old clas­sic baro­que retable.

Rela­zio­ne illu­stra­ti­va del progetto
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Foto inter­ni

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