Det­ta­glio del pro­get­to ed. 2020

GAT­TI ROUTH RHO­DES – BETH­NAL GREEN MIS­SION CHURCH

Desi­gner Richard Gat­ti
Loca­tion 305 Cam­brid­ge Heath Rd, E2 9LH, Lon­don, UK
Desi­gn Team

Archi­tect (Gat­ti Routh Rho­des) — Tom Routh, Ste­fa­nie Rho­des, Richard Gatti
Stai­ned Glass — Desi­gned by Cora­lie Bickford-Smith

Anno 2019
Pho­to credits

Johan­na Klier — Exte­rior 01 & Inte­rior 03, 05
Jack Hob­hou­se — Exte­rior 02, 03, 04, 05 & Inte­rior 01, 02, 04

Foto ester­ni

Descri­zio­ne del progetto

Jesus says ‘Come to me, and I will give you rest’ (Mat­thew 11:28). The­se words are inscri­bed on the wall of Beth­nal Green Mis­sion Church, and exem­pli­fy the spi­rit of the church – both as con­gre­ga­tion and as buil­ding. The com­mu­ni­ty was esta­bli­shed in 1868 as a respon­se to pover­ty and depri­va­tion – the church came later. This prin­ci­ple of com­mu­ni­ty and ser­vi­ce fir­st is at the cen­tre of how the church runs, and how the buil­ding is designed.

In the mid­st of a hou­sing cri­sis in Lon­don, buil­ding hou­sing abo­ve a church not only embeds the church within the phy­si­cal city, but cru­cial­ly funds the faith and com­mu­ni­ty spa­ces below. This pro­vi­des a new model for how chur­ches can grow and deve­lop with the scar­ce resour­ces within inner city communities.

Exter­nal­ly, the buil­ding appears as an ele­gant apart­ment block, its civic natu­re defi­ned by dou­ble height slot win­do­ws set with con­tem­po­ra­ry stai­ned glass and pre­ca­st con­cre­te por­tals that fra­me bron­ze lat­ti­cework gates. The stai­ned glass is Polish cylin­der glass, hand blo­wn and hand cut, so full of ble­mi­shes and imper­fec­tions, then resin bound to a stan­dard dou­ble gla­zed unit. Whe­re the panes meet, the­se inac­cu­ra­cies appear as a bright whi­te light shi­ning into the spa­ce, in con­tra­st to the dark sha­do­ws of tra­di­tio­nal lea­ded glass.

Inter­nal­ly, the church sits — both lite­ral­ly and figu­ra­ti­ve­ly — at the heart of the buil­ding; a still, quiet cen­tre away from the noi­se of the city. This sacred spa­ce lea­ches into the rest of the buil­ding: the deep dia­grid con­cre­te beams pass into the adjoi­ning spa­ces, whil­st the cle­re­sto­ries share light with the adja­cent offi­ce and com­mu­ni­ty spa­ces. The volu­me of com­mu­ni­ty halls; a set of ‘L’ sha­ped spa­ces desi­gned to scoop light and air from abo­ve, is defi­ned by the pre­sen­ce of the church. A com­­mu­­ni­­ty-run café media­tes bet­ween the church and the street, sof­te­ning the thre­shold, and hel­ping local peo­ple to access the ser­vi­ces and rest pro­mi­sed within.

Rela­zio­ne illu­stra­ti­va del progetto
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Foto inter­ni

Dise­gni tecnici

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