Det­ta­glio del pro­get­to ed. 2020

HER­MO­SO & HEI­MANN­SFELD – ORA­TO­RY AND EVENT ROOM

Desi­gner Enri­que Jesús Her­mo­so Lera
Loca­tion Cal­le Paja­res 22, Somo­sa­guas Nor­te, 28223 Pozue­lo de Alar­cón, Madrid
Desi­gn Team

Enri­que Her­mo­so Lera, Arquitecto
Karin Hei­mann­sfeld, Arquitecta
Mariu­ca López Fer­nán­dez, Arquitecta
David Gar­cía López, Arquitecto

Anno 2014
Pho­to credits

JG.: Jesús Granada
JO.: Javier Orive

Foto ester­ni

Descri­zio­ne del progetto

ORA­TO­RY AND AUDI­TO­RIUM FOR THE RETA­MAR SCHOOL
C.PAJARES 22, SOMO­SA­GUAS, POZUE­LO DE ALAR­CÓN, MADRID
REPORT
Our desi­gn aims for inte­gra­tion with the exi­sting brick buil­dings whi­le at the same time main­tai­ning its uni­que cha­rac­ter for the school, highlighted on the exte­rior by a pro­mi­nent roof, fini­shed in green zinc.
This new church is desi­gned insi­de out: The insi­de spa­ce of the ora­to­ry, which is the most impor­tant ele­ment of the pro­ject, giving it both its cha­rac­ter and “soul”. We were loo­king for a buil­ding, being able to ser­ve a varie­ty of acti­vi­ties. With the lar­ge volu­me of spa­ce, the big chal­len­ge has been to crea­te a lar­ge com­mu­nal spa­ce whe­re each indi­vi­dual has the abi­li­ty to with­draw into one’s inner spa­ce to com­mu­ni­ca­te with God.
This was achie­ved within the lar­ger volu­me by the use of natu­ral light, an asym­me­try in the ove­rall com­po­si­tion, and by the selec­tion of materials.
The nave and cei­ling are clad in bam­boo panels and sla­ts to achie­ve a har­mo­nious tran­si­tion bet­ween the cur­ving roof and the side panels, detai­led to allow for acou­stic absorp­tion bet­ween its sla­ts. In the insi­de shell of the pre­sby­te­ry, the bam­boo is repla­ced by titan with a gol­den flair with extre­me­ly thin layers, which are assem­bled in a fish sca­le pat­tern, whi­le the gol­den gra­ni­te of the nave is repla­ced by green gra­ni­te around the altar to mark the signi­fi­can­ce and impor­tan­ce of this area.
Moving throu­gh the entran­ce hall, an inter­me­dia­te spa­ce bet­ween the new and the old buil­ding is ope­ned up with a con­cre­te stair­ca­se inser­ted beneath a lar­ge sky­light. This acts as a second entran­ce spa­ce lea­ding visi­tors to the audi­to­rium. On the same floor are three mul­ti­pur­po­se clas­srooms, restrooms, and tech­ni­cal rooms.
The inte­rior of the audi­to­rium is for­ma­li­zed by con­tra­sting two very dif­fe­rent mate­rials — gal­va­ni­zed expan­ded metal mesh and bam­boo panels. The asym­me­tri­cal­ly desi­gned screen of the cine­ma is cove­red by bam­boo sli­ding panels.
From the outsi­de, a con­cre­te stair­ca­se is acting as an amphi­thea­tre. Next to the audi­to­rium, the huge can­ti­le­ver of the ora­to­ry choir gives shel­ter to the outsi­de sce­ne­ry, whe­re the school has an addi­tio­nal pos­si­bi­li­ty to per­form sum­mer thea­tre and other festivities.
This inter­play bet­ween the two main spa­ces is expres­sed on the exte­rior by the dia­lo­gue bet­ween the brick and the zinc reflec­ting soli­di­ty and move­ment, earth, and heaven…

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