Det­ta­glio del pro­get­to ed. 2020

GIJS VAN VAE­REN­BER­GH – REA­DING BET­WEEN THE LINES

Desi­gner Gijs Van Vaerenbergh
Loca­tion Wan­del­weg tus­sen Sint-Trui­­de­r­­stee­­n­­weg en Romein­se Kas­sei 0, 3840 Bor­gloon, Belgium
Desi­gn Team

Pie­te­r­jan Gijs & Arnout Van Vaerenbergh

Anno 2011
Pho­to credits

Filip Dujar­din (all pictures)

Foto ester­ni

Descri­zio­ne del progetto

The the­mes ‘memo­ry’ and ‘col­lec­ti­ve memo­ry’ form an impor­tant motif in the work of Gijs Van Vae­ren­ber­gh. Their inter­ven­tions appeal to histo­ri­cal, uto­pian or even impos­si­ble con­di­tions. Such is the case for Rea­ding bet­ween the Lines, which they rea­li­zed in the open land­sca­pe of the Bel­gian region of Haspen­gauw. The work is based on the typo­lo­gy of the local parish church that is situa­ted in the cen­tre of many church vil­la­ges in the region and, as such, belongs to the col­lec­ti­ve memo­ry. Tra­di­tio­nal­ly, the­se chur­ches were the spa­tial and social cen­tres of vil­la­ge life, but that role has now been lost. Rea­ding bet­ween the Lines inter­pre­ts the arche­ty­pe of the church throu­gh a col­lec­tion of a hun­dred hori­zon­tal cross sec­tions – and thus a hun­dred ground plans – of the church. The layers of steel read like a dra­wing in the land­sca­pe. They are sup­por­ted by a field of columns. The result is an ima­ge of a church that takes many dif­fe­rent sha­pes. From afar, the ima­ge is trans­pa­rent and flee­ting and seems to blend into the land­sca­pe. Clo­sing in, the work starts to beco­me more spe­ci­fic, solid and impe­ne­tra­ble, and its details gra­dual­ly beco­me rea­da­ble. This ran­ge of impres­sions is com­pa­ra­ble to how we expe­rien­ce memo­ries: from very vague and abstract to spe­ci­fic and precise

Rela­zio­ne illu­stra­ti­va del progetto
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Foto inter­ni

Dise­gni tecnici

TOR­NA ALLA PAGI­NA DEI PROGETTI