Det­ta­glio del pro­get­to ed. 2020

SAMUEL NETOC­NY – CHAPEL-OF-RESURRECTION

Desi­gner Samuel Netoc­ny
Loca­tion Hill over Poprad, 058 01 Poprad, Slo­va­kia, 49°0’48.007“N, 20°16’19.865“E
Desi­gn Team

Archi­tect: MArch. Samuel Netocny
Sculp­tur: Akad. Soch. Otto Korkos

Anno 2018
Pho­to credits

Foto ester­ni

Descri­zio­ne del progetto

The Cha­pel of Resur­rec­tion is a for­mu­la­tion of answers of a con­tem­po­ra­ry archi­tec­tu­re to the eter­nal que­stions of god and faith. Sin­ce we arri­ved to the time, whe­re only sim­ple emo­tions and the ephe­me­ral moment mat­ter, the cha­pel invi­tes us to stay lon­ger. The only con­nec­tion to the beau­ti­ful natu­re outsi­de is light, sound and wind.

The con­cept of the cha­pel is based on a meta­phor of the fini­te world and an end­less divi­ne spa­ce lin­ked toge­ther only by light. Eve­ry­bo­dy can deci­de to fol­low it or not. The archi­tec­tu­ral mate­ria­li­sa­tion resul­ted in small inti­ma­te spa­ce divi­ded from natu­re by mas­si­ve woo­den walls without win­do­ws. A win­dow is a clear sta­te­ment whe­re the light comes from. We posi­tio­ned more than 100 woo­den columns. They are den­se enou­gh to crea­te an inti­ma­te spa­ce for prayer and medi­ta­tion, but the pre­ci­se sun light pene­tra­tes the solid wall and starts the vivid play of light and sha­de. Eve­ry minu­te the light qua­li­ty chan­ges. Some­ti­mes the­re are rays only in the cor­ri­dor. Five minu­tes later the­re is a pat­tern of wide and nar­row sha­do­ws on the floor. The visitor’s curio­si­ty for­ces him to stay longer.

To root the cha­pel to the site, we deci­ded to use the wood of the same fore­st on the hill. Selec­ted lar­ches were trans­por­ted only 20 km to pro­du­ce the woo­den beams and columns. The advan­ced BIM plan­ning allo­wed the pre­ci­se CNC fabri­ca­tion. Four weeks later the trees came back to the site in form of the chapel.
Wood is a pas­sing mate­rial. Becau­se of that the con­cre­te fun­da­men­ts are crea­ting a cul­tu­ral tra­ce in the land­sca­pe. The next gene­ra­tion can build a new church on the old fun­da­men­ts and the ori­gi­nal cha­pel will be still incarnated.
The woo­den part levi­ta­tes 20 cm over the land­sca­pe. It con­sists of 3 ele­men­ts wea­ved into one pie­ce. In order to streng­then it, floor and roof beams are not paral­lel in the top view, but they are cros­sing. Eve­ry column has a dif­fe­rent height. The com­bi­na­tion of dif­fe­rent column leng­ths con­nec­ted with one roof beam makes the con­struc­tion strong again­st wind. The­re­fo­re no other rein­for­ce­ment is needed.
The light roof is tran­sfor­ming the big sculp­tu­re into a small pie­ce of archi­tec­tu­re. Next to the wood are the trans­pa­rent glass fibre­boards, the most used mate­rial in tra­di­tio­nal Slo­vak vil­la­ges. The fine wave mol­li­fies the strict geo­me­try of the woo­den part.

Rela­zio­ne illu­stra­ti­va del progetto
Sca­ri­ca la relazione

Foto inter­ni

Dise­gni tecnici

TOR­NA ALLA PAGI­NA DEI PROGETTI