Det­ta­glio del pro­get­to ed. 2024

kape­l­­le-obe­r­­be­­chi­n­­gen / Germany

Frank lattke@lattkearchitekten.de

Pro­get­ti­sta Prof. Dipl.-Ing. Frank Lat­t­ke, Archi­tekt BDA
Loca­tion Ober­be­chin­gen
Nazio­ne Ger­ma­ny
Desi­gn Team

Lat­t­ke Archi­tek­ten, Dipl.-Ing. Prof. Frank Lattke
M.Sc. Hao­ren Wang

Anno 2019
Cre­di­ti Fotografici

Pho­to­cre­dit Eckhart Mat­thäus, Wertingen

Foto ester­ni

Descri­zio­ne del progetto

The foun­de­r’s brief was the desi­gn of a cha­pel in wood with a Chri­stian sign, a pla­ce to rest along a cycle trial. The loca­tion was found in the coun­try side of western Bavaria.
A gen­tly slo­ping hill­si­de to the nor­th­we­st, a trian­gu­lar sha­ped site in the cros­sroad of the trail bet­ween Ober­be­chin­gen and Wit­ti­slin­gen. The foo­thills of the Swa­bian Alb in the distan­ce crea­te bizar­re cloud for­ma­tions. The view is wide, the land­sca­pe open and free. In the distan­ce, the high bell towers of the baro­que chur­ches tell of the vil­la­ges nestling in the gen­tle topo­gra­phy of the landscape.
The cha­pel is a pla­ce of con­tem­pla­tion in the vast­ness of the land­sca­pe, which beco­mes clear in con­tra­st to the nar­ro­w­ness of the spa­tial expe­rien­ce. The squa­re room is span­ned by a steep, high raf­te­red roof that drops down low over the dia­go­nal. The view throu­gh the bars of the inward-slo­­ping wall gives an idea of the inte­rior. The entran­ce leads from the low to the high, the rid­ge abo­ve the dia­go­nal car­ries the direc­tion of the room. Insi­de, gen­tle side light falls throu­gh high win­dow sli­ts, the glim­mer of cand­les and a cross. The Chri­stian sign, the holy water font and the cand­le­stick are made of bur­ni­shed and bru­shed tom­bac sheet, a highly cop­­per-resi­­stant material.
The tim­ber fra­me, the untrea­ted board form­work and the end grain floor are made of local spru­ce. The dove­tail join­ts of the beams are pre­ci­se­ly machi­­ne-made. The buil­ding is a sign of con­tem­po­ra­ry craf­tsman­ship that hone­stly tells the sto­ry of how it was made.
The cha­pel abo­ve the Dat­te­n­hau­ser Ried was inau­gu­ra­ted in Sep­tem­ber 2019. Almo­st 2 years later, the buil­ding has rea­ched the inten­ded visual sta­te. The sur­fa­ce of the outer walls and the steep roof are clad with fine­ly sawn spru­ce boards, which now appear sil­­ver-grey. As the faça­de has no pro­jec­tions or reces­ses, the wea­the­red sur­fa­ce has chan­ged even­ly. The cha­pel has now arri­ved in the gen­tly undu­la­ting land­sca­pe bet­ween Ober­be­chin­gen and Wittislingen.

Rela­zio­ne illu­stra­ti­va del progetto
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Foto inter­ni

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