Det­ta­glio del pro­get­to ed. 2024

erlo­ser­kir­che / Germany

Joel Har­ris

Pro­get­ti­sta Joel Har­ris
Loca­tion Derf­flin­ger­straße 9, 50737 Köln
Nazio­ne Ger­ma­ny
Desi­gn Team

Har­ris + Kurr­le Archi­tek­ten BDA
Part­ner­schaft mbB
Möri­ke­straße 15
70178 Stuttgart

Joel Har­ris CEO
Ber­tram Wruck, Pro­ject Architect
Ele­na Guer­re­ro Ogan­do, Architect
Voj­tech Bast, Architect

Anno 2022
Cre­di­ti Fotografici

Roland Hal­be
www.rolandhalbe.eu

Foto ester­ni

Descri­zio­ne del progetto

Erlö­ser Church in Colo­gne – Wei­den­pe­sch Ini­tial situa­tion The star­ting point for the pro­ject was the clo­sing of two church sites from the 1960s in favour of a mul­ti­func­tio­nal new deve­lo­p­ment on the site in Colo­gne — Weidenpesch.

In short, a new hybrid was crea­ted with a church, com­mu­ni­ty cen­tre, com­mu­ni­ty offi­ce, fla­ts and day-care cen­tre. Har­ris + Kurr­le Archi­tek­ten won the under­ly­ing archi­tec­tu­ral com­pe­ti­tion in 2015.

Buil­ding In terms of urban spa­ce, the buil­ding makes an expres­si­ve sta­te­ment in its sur­roun­dings. Due to its com­pact­ness, it does not appear out of sca­le at all, despi­te the slightly expo­sed height deve­lo­p­ment com­pa­red to the sur­roun­dings. On the con­tra­ry, it clear­ly defi­nes the church squa­re and for­mu­la­tes the inten­ded radian­ce to the outsi­de. This effect is sup­por­ted by the invi­ting gestu­re of the entran­ces gene­rou­sly cut into the façade.

To sup­port the com­pact­ness of the struc­tu­re, the clo­sed exte­rior sur­fa­ces are clad homo­ge­neou­sly with a sand-colou­­red clin­ker brick. The church win­do­ws, bell tower and the two entran­ce por­tals are highlighted by an orna­men­tal sha­ping of the brick sur­fa­ces to empha­si­se the sacred cha­rac­ter of the building.

The two entran­ces are divi­ded into a “sacred” entran­ce from the pla­ce of wor­ship and an entran­ce for “pro­fa­ne” uses to Derf­flin­ger street.

If neces­sa­ry, the lob­by and the group rooms can be con­nec­ted to the wor­ship spa­ce via mobi­le par­ti­tion walls.

The cen­tral desi­gn ele­ment of the church inte­rior is natu­ral light. The fol­lo­wing lighting situa­tions are provided:

- Direct light from the south via the window.

- Zeni­thal light abo­ve the cross area, from abo­ve as a refe­ren­ce to the sky.

The organ from the Phi­lipp Nico­lai Church, the church loca­tion that was aban­do­ned in favour of the new buil­ding, was reu­sed for the new building.

Around the two-sto­­rey church, acces­sed by three inde­pen­dent stair­ca­ses, are the day­ca­re cen­tre on the gar­den floor, fur­ther rooms of the church com­mu­ni­ty on the fir­st floor and a total of 9 fla­ts on the fir­st to the fourth floors: The day-care cen­tre is clear­ly struc­tu­red by a cen­tral access and mul­­ti-pur­­po­­se room, throu­gh which all group and side rooms are accessed.

From the youth room on the fir­st floor, the­re is a veiw into the wor­ship spa­ce to inte­gra­te chil­dren and young peo­ple into the life of the congregation.

Rela­zio­ne illu­stra­ti­va del progetto
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Foto inter­ni

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