Det­ta­glio del pro­get­to ed. 2024

cha­­pels-in-saint-james-way / Spain

Ser­gio Sebastián

Pro­get­ti­sta Ser­gio Sebastián
Loca­tion Ermi­ta de San Juan Bau­ti­sta de Rue­sta, 50685, Los Pin­ta­nos, Spain. Ermi­ta de San Juan Bau­ti­sta de Sigüés, 50682, Sigüés, Spain. Ermi­ta de San Jaco­bo de Rue­sta, 50685, Urriés, Spain.
Nazio­ne Spain
Desi­gn Team

Ser­gio Seba­stián, Pablo Seba­stián, Ale­jan­dro Alda, Gior­gio Ber­nar­di, Miche­la D’Angelo

Anno 2021
Cre­di­ti Fotografici

Foto1 Ester­no: Iña­ki Bergera
Foto2 Ester­no: Iña­ki Bergera
Foto3 Ester­no: Iña­ki Bergera
Foto4 Ester­no: Seba­stián Arquitectos
Foto5 Ester­no: Seba­stián Arquitectos
Foto1 Inter­no: Iña­ki Bergera
Foto2 Inter­no: Iña­ki Bergera
Foto3 Inter­no: Iña­ki Bergera
Foto4 Inter­no: Seba­stián Arquitectos
Foto5 Inter­no: Seba­stián Arquitectos

Foto ester­ni

Descri­zio­ne del progetto

Rue­sta is a beau­ti­ful remain, testi­mo­ny of an impor­tant histo­ry that asks for being pre­ser­ved. The actions car­ried out have allo­wed to value and reco­ver the Cami­no de San­tia­go as it pas­ses throu­gh Rue­sta, as well as the resto­ra­tion of its chapels.
All this works have been struc­tu­red in two master plans. One con­cer­ning the French St. James’ Way; the second, for Ruesta’s core recovery.
The chal­len­ge of the resto­ra­tion was the reco­ve­ry of lost archi­tec­tu­ral after it had beco­me into a ruin. “S.Juan de Rue­sta” cha­pel, was a pri­mi­ti­ve Roma­ne­sque tem­ple whe­re a 40% of the ori­gi­nal volu­me was lost. The pro­ject stra­te­gy con­si­sted of reco­ve­ring the ima­ge of the com­pact ori­gi­nal volu­me, an ima­ge that recei­ved the pil­grim and that was lost after the col­lap­se. Evo­ca­tion as a pro­ject tool allo­wed us to reco­ver one of the main values of the ori­gi­nal building.
We esta­bli­shed that the roof and the walls, should share the same lan­gua­ge, an abstract and regu­lar pat­tern of hori­zon­tal sto­ne lines. We pro­po­sed a system like the local con­struc­ti­ve systems (over­lap­ping slab roofs), sli­ding it along the faça­de. The new sand­sto­ne ashlars of the area were car­ved accor­ding to an ope­n­work lat­ti­ce lin­ked to the mechi­na­les of the apse, which dra­ws the dif­fe­ren­ce bet­ween the inter­ven­tion and the old part throu­gh the light. Outsi­de, some of the ori­gi­nal mason­ry piled up after the col­lap­se of 2001 were reco­ve­red to crea­te a memo­rial that reminds us of the com­mit­ment to pre­ser­ve our memory.
In Sigüés, the ori­gi­nal dra­wing of the pave­ment has been reco­ve­red, and we desi­gned a new con­tem­po­ra­ry altar.
S.Jacobo’s cha­pel has brought us the archaeo­lo­gi­cal fin­ding of the ori­gi­nal hospi­tal, a cloi­ster, the ori­gi­nal apse, and a medie­val necro­po­lis, next to the Cami­no, from the 12th cen­tu­ry. The dif­fi­cult mana­ge­ment of its access has been sol­ved with a deep thre­shold, which allo­ws the pil­grim to enter and get used to the twi­light throu­gh a kind of niche based on the desi­gn of the Jaco­bean shell.

Rela­zio­ne illu­stra­ti­va del progetto
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Foto inter­ni

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