Det­ta­glio del pro­get­to ed. 2024

capi­l­­la-de-la-tie­r­­ra-cha­­pel-of-the-earth / Mexico

Enri­que Javier Cabre­ra Peniche

Pro­get­ti­sta Enri­que Javier Cabre­ra Peniche
Loca­tion Resi­den­cial Baspul, 97342, Chi­c­xu­lub Pue­blo, Yucatán
Nazio­ne Mexi­co
Desi­gn Team

Lead Archi­tect Enri­que Cabre­ra Peniche
Arq­ta. Ale­jan­dra Andra­de Butzmann
Arq. Alber­to Var­gas Díaz
M.Arq.Psj. Jor­ge Enri­quez Dominguez

Anno 2020
Cre­di­ti Fotografici

Capilla_01 Enri­que Cabrera
Capilla_02 Enri­que Cabrera
Capilla_03 Tama­ra Uribe
Capilla_04 Tama­ra Uribe
Capilla_05 Tama­ra Uribe
Capilla_06 Tama­ra Uribe
Capilla_07 Tama­ra Uribe
Capilla_08 Tama­ra Uribe
Capilla_09 Tama­ra Uribe
Capilla_10 Tama­ra Uribe

Foto ester­ni

Descri­zio­ne del progetto

The Cha­pel of the Earth is para­do­xi­cal­ly ‘built’ by gene­ra­ting an emp­ty spa­ce that mimics disap­pea­ring from the imme­dia­te land­sca­pe of its sur­roun­dings. It is inten­ded to be a pla­ce of reflec­tion, silen­ce, and prayer, as well as having an intrin­sic con­nec­tion with nature.
To enter it, we need to walk along a gen­tly slo­ping ramp accom­pa­nied by Cha­ka trees, a path that seems to lead into the depth of the earth, expo­sing its walls whe­re natu­ral tex­tu­res inva­de the cracks of the layers of time, whe­re one can enjoy the sounds of natu­re and the silen­ce of the emp­ty space.
Once the jour­ney has ended, you are gree­ted by the cove­ring over the only nave which has a dual func­tion: on one hand, visual­ly deli­mi­ts in three parts — altar, nave, and access ramp — a volu­me mere­ly made of air; on the other hand, it hie­rar­chi­zes them with a play of lights and sha­do­ws to achie­ve the pro­mi­nen­ce that the altar requi­res. The walls of living rock sup­port a vaul­ted con­cre­te roof that does not intend to com­pe­te with the expres­si­ve­ness of mil­lions of years of geo­lo­gi­cal for­ma­tion. Two rows of ben­ches nar­row the path to fra­me the most impor­tant spa­ce: The Altar.
The Altar seems to be the end of a cavern with the vault open, crea­ting a win­dow to the sky. At the end of the cavern is a body of water, refe­ren­cing the ceno­tes that form as part of an under­ground river of the many that have their cour­se in the sub­soil of the penin­su­la. This fur­ther gene­ra­tes a sen­se of iso­la­tion and reflec­tion, pro­vi­ding the ideal spa­ce to find oneself.
Only two ele­men­ts stand out in the con­text: the ‘fra­me’ of the entran­ce that deli­mi­ts the atrium, whe­re the jour­ney begins and gra­dual­ly the ‘ora­tor’ beco­mes deta­ched from the exter­nal envi­ron­ment. And the ‘cross’ on the edge of the squa­re void, made of pre­fa­bri­ca­ted con­cre­te that allo­ws the spa­ce’s voca­tion to be iden­ti­fied from afar.
‘The Cha­pel of the Earth’ allo­ws for a free inter­pre­ta­tion by the ‘ora­tor’. It does not intend to impo­se a les­son on spa­ce, on the con­tra­ry, it invi­tes one to take owner­ship of it depen­ding on the moment, the wea­ther, the light, and the time.
The pro­ject is a free, sim­ple pro­po­sal that aims to resol­ve a spa­ce with the mini­mum ele­men­ts, two walls that sub­tly sepa­ra­te as they del­ve into the under­ground. For us, it is a power­ful­ly sim­ple and expres­si­ve work.

Rela­zio­ne illu­stra­ti­va del progetto
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Foto inter­ni

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