Det­ta­glio del pro­get­to ed. 2024

rus­­sian-mona­­ste­­ry-of-st-geo­r­­ge-goe­­tsche­n­­dorf-in-bra­n­­de­n­­burg / Germany

Ser­gei Tchoban

Pro­get­ti­sta Ser­gei Tchoban
Loca­tion Goe­tschen­dorf 33, 17268 Milmersdorf-Goetschendorf
Nazio­ne Ger­ma­ny
Desi­gn Team

Archi­tect: Ser­gei Tcho­ban, pro­ject part­ner: Phi­lipp Bauer, pro­ject lea­der: Kar­sten Wald­sch­midt, Simon Ban­ge (sta­ges 1–4, 6); Dirk Kol­lendt (sta­ge 5), Kat­ja Fuks (sta­ges 6–8), team: Nata­lia von Krü­ch­ten, Ramo­na Sch­war­z­wel­ler, Ingo Schwarzweller

Anno 2017
Cre­di­ti Fotografici

3629_Exterior_ct007_by_Christian_Thiel, Copy­right Chri­stian Thiel;
3629_Exterior_03_9360‑R©LevChestakov, Copy­right Lev Chestakov;
3629_Exterior_ct002_by_Christian_Thiel, Copy­right Chri­stian Thiel;
3629_Exterior_Winter_c_Sergei_Tchoban, Copy­right Ser­gei Tchoban;
3629_Exterior_05_9514©LevChestakov, Copy­right Lev Chestakov;
3629_Interior_11_9479©LevChestakov, Copy­right Lev Chestakov;
3629_Interior_Drawings2_Irina Zatulovskaja_c_Sergei_Tchoban, Copy­right Ser­gei Tchoban;
3629_Interior_Drawings3_Irina Zatulovskaja_c_Sergei_Tchoban, Copy­right Ser­gei Tchoban;
3629_Interior_Drawings4_Irina Zatulovskaja_c_Sergei_Tchoban, Copy­right Ser­gei Tchoban;
3629_Interior_Drawings5_Irina Zatulovskaja_c_Sergei_Tchoban, Copy­right Ser­gei Tchoban.

Foto ester­ni

Descri­zio­ne del progetto

The mona­ste­ry church of St. Geor­ge was built by order of the Dio­ce­se of Ber­lin and Ger­ma­ny of the Rus­sian Ortho­dox Church. 

Loca­ted in the front part of the plot the church buil­ding beca­me a new signi­fi­cant eye-cat­­cher of the site. Despi­te its Rus­­sian-Byza­n­­ti­­ne buil­ding tra­di­tion with cupo­la, round lan­tern and onion dome the church is of tou­ching plain­ness with its modi­fied and sim­pli­fied forms. The four-gabled volu­me without a plinth has a qua­dra­tic foot­print with late­ral length of 17 meters, 10 meters hea­droom in the cupo­la and a cen­tral spi­re of 6 meters height. Three apses extend the foot­print in the altar area. The reli­gious wall dra­wings are by the arti­st Iri­na Zatulovskaja.

Far from big gestu­res the church does not con­tra­st with the sur­roun­ding buil­dings but is ful­ly inte­gra­ted into the exi­sting com­plex. Some few details accen­tua­te the faça­des. Bricks in a bright bei­­ge-grey palet­te were addi­tio­nal­ly whi­tewa­shed which, depen­ding on the light situa­tion, evo­kes a slight sil­ver or gol­den shim­mer. Simi­lar to this effect the light grey shin­gled roofs seem to have a slight metal­lic glow in the sunlight. 

The cur­ved nar­row woo­den cor­ni­ces empha­si­ze the roun­ded forms of the apses. The dou­ble jamb of the main door along with the step­ped win­dow clad­ding and pila­ster strips gives the faça­des some more depth and move­ment. Nar­row ver­ti­cal win­do­ws redu­ce the inte­rac­tion of the inner spa­ce with the sur­roun­ding and under­li­ne the sacral cha­rac­ter of the building. 

The church offers spa­ce for about 200 peo­ple: After having pas­sed throu­gh the semi­cir­cle inner vesti­bu­le the visi­tor finds an artless, calm inte­rior and gazes to the limed cro­s­­sed-dome and to the cylin­der of the light roof lantern.

Rela­zio­ne illu­stra­ti­va del progetto
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Foto inter­ni

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