Det­ta­glio del pro­get­to ed. 2024

luthe­­ran-mor­­tua­­ry-cha­­pel / Romania

Gábor Tóth­fa­lu­si

Pro­get­ti­sta Gábor Tóth­fa­lu­si
Loca­tion Ház­son­gárd Ceme­te­ry, Cluj-Napo­­ca, Romania
Nazio­ne Roma­nia
Desi­gn Team

Archi­tec­tu­re: TEK­TUM ARHI­TEC­TU­RĂ & ARTĂ
Lead archi­tect: Gábor TÓTHFALUSI
Archi­tect: Ist­ván Leven­te SZÖCS

Anno 2023
Cre­di­ti Fotografici

Pho­to 1 Exter­nal, Pho­to 2 Exter­nal, Pho­to 3 Exter­nal, Pho­to 4 Exter­nal, Pho­to 5 Exter­nal, Pho­to 1 Inter­nal, Pho­to 2 Inter­nal, Pho­to 3 Inter­nal, Pho­to 4 Inter­nal, Pho­to 5 Inter­nal: Ale­xan­dru Fleșeriu

Foto ester­ni

Descri­zio­ne del progetto

Situa­ted in the Luthe­ran part of Ház­son­gárd, a histo­ri­cal ceme­te­ry esta­bli­shed in the 16th Cen­tu­ry, in Cluj, the buil­ding has been com­mis­sio­ned by the church to func­tion as its mor­tua­ry cha­pel and to host the offi­ces for the Ház­son­gárd Asso­cia­tion, a small NGO focu­sing on the pre­ser­va­tion of the cemetery’s built heritage.
Sin­ce the late 19th-Cen­­tu­­ry buil­ding par­tly occu­py­ing the site, in sta­te of disre­pair, could not accom­mo­da­te a broa­der ran­ge of func­tions, the deci­sion was taken to have it repla­ced. Whi­le the faça­de had to be pre­ser­ved, at the reque­st of the Monu­men­ts Com­mis­sion, the pro­xi­mi­ty of the tombs, pai­red with the need for crea­ting an out­door gathe­ring spa­ce, allo­wed for the built area to be exten­ded with no more than an irre­gu­lar stretch along the pro­per­ty boundary.
Thus, as site con­strain­ts sha­pe the volu­me, the buil­ding emer­ges as a sto­ne clea­ved by cut­ting pla­nes, an arche­ty­pal ima­ge of the 19th-cen­­tu­­ry monu­men­tal tomb. With the bel­fry unfol­ding over the ori­gi­nal gabled wall, the roof dra­ma­ti­cal­ly descends towards the oppo­si­te end, lea­ving just enou­gh room for the stair­ca­se to the base­ment columbarium.
Behind the dark grey mica-schi­­st pain­ted faça­de, which paral­lels the shim­me­ring black mar­ble of the sur­roun­ding tomb­sto­nes, mat­te red brick enve­lops walls and roo­fing. The uni­form tex­tu­re of the faca­des, spar­se­ly intert­wi­ned with the oak of the entran­ce ope­nings and the cor-ten of the main entran­ce can­ti­le­ver, pro­vi­des color and tex­tu­re, rein­for­cing the building’s monu­men­ta­li­ty, whi­le at the same time con­tra­sting with the sober, expo­sed con­cre­te casing inside.
As the gra­ni­te cob­ble­sto­nes of the front patio extend into the refec­to­ry, the inte­­rior-exte­­rior boun­da­ry fades when the mas­si­ve steel door sli­des open, expan­ding the cere­mo­nial spa­ce. The east-west orien­ta­tion of the plan allo­ws the light to pene­tra­te throu­gh the upper gla­zing of the tower, allo­wing the sun­beams to fall once more on the cof­fin during the fune­ral mass.

Rela­zio­ne illu­stra­ti­va del progetto
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Foto inter­ni

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