Det­ta­glio del pro­get­to ed. 2024

chri­­st-church-some­r­­set-west / South Africa

Jo Noe­ro

Pro­get­ti­sta Michael Fran­cis Jose­ph Noe­ro and Evan­dro Schwalbach
Loca­tion Cnr. Hel­der­berg Col­le­ge & Old Stel­len­bo­sch Road, Somer­set West, Cape Town, 7130
Nazio­ne South Afri­ca
Desi­gn Team

Jo Noe­ro
Evan­dro Schwalbach
Joao da Silva
Michael Hobbs

Anno 2021
Cre­di­ti Fotografici

Exte­rior Photos:
CCSW_Courtyard View_NoeroArchitects_David Southwood
CCSW_Drone Top View_NoeroArchitects_Paris Brummer
CCSW_Exterior Par­king View 02_NoeroArchitects_Paris Brummer
CCSW_Exterior Par­king View 03_NoeroArchitects_Paris Brummer
CCSW_Exterior Par­king View_NoeroArchitects_Paris Brummer

Inte­rior Photos:
CCSW_Interior View 01_NoeroArchitects_David Southwood
CCSW_Interior View 02_NoeroArchitects_David Southwood
CCSW_Interior View 03_NoeroArchitects_David Southwood
CCSW_Interior View 04_NoeroArchitects_Paris Brummer
CCSW_Interior View 05_NoeroArchitects_Paris Brummer

Foto ester­ni

Descri­zio­ne del progetto

The church com­mu­ni­ty had out­gro­wn their exi­sting church. We were for­tu­na­te in having a prie­st who was edu­ca­ted as an archi­tect. Jo Noe­ro had taught the mini­ster Gavin Mil­lard at the Uni­ver­si­ty of the Wit­wa­ter­srand in the 1980‘s befo­re he made the deci­sion to enter the prie­sthood. He was a top stu­dent who had a real pas­sion for archi­tec­tu­re. He made a fan­ta­stic client sym­pa­the­tic to our ambi­tions of making a great church. A cir­cu­lar cen­tra­li­zed church form was selec­ted becau­se the cen­tra­li­ty of the spa­ce would encou­ra­ge and rein­for­ce com­mu­ni­ty. The pre­ce­dent that was used and accep­ted to demon­stra­te the geo­me­try of the cir­cle was St Paul‘s church which Noe­ro Archi­tec­ts com­ple­ted in Sowe­to for Arch­bi­shop Desmond Tutu in 1985.
The fir­st issue that was con­si­de­red was that of the dif­fe­ren­ce bet­ween nece3ssity and luxu­ry. The church was oppo­sed to luxu­ry in the sen­se that it was felt that what would be built should always reflect is mea­ning and use – this howe­ver should not exclu­de the idea of fin­ding a poe­tic way to express neces­si­ty. Con­se­quen­tly, mate­rials were care­ful­ly cho­sen to best reflect the pur­po­se for which they were inten­ded to be used. All the steel work is expres­sed and gal­va­ni­zed and left unpain­ted. The main floor is con­cre­te and poli­shed to reveal the order of the aggre­ga­te mixed with the cement and sand. The exte­rior of the buil­ding is rug­ged and is very clear in its form about the pur­po­se of the buil­ding. The exte­rior is pain­ted whi­te as the Cape light is magnificent.
The inte­rior is embla­zo­ned by light from the cen­tral roof light which is sha­ped like a cross. Spa­tial­ly the­re are smal­ler spa­ces sur­roun­ding the cylin­der. The sepa­ra­tion of the­se two spa­ces into light and dark also rein­for­ces the sen­se of cen­tra­li­ty. Acou­stics was also an impor­tant issue sin­ce sound in a cir­cu­lar spa­ce can be very dif­fi­cult to mana­ge. We desi­gned a new inner skin of bricks which were laid in a par­ti­cu­lar way to both cap­tu­re and deflect sound. This has wor­ked won­der­ful­ly, and the spa­ce is a great per­for­man­ce space.
A green court bet­ween old and new which has beco­me a third wor­ship spa­ce with the sky as the roof.
Chri­st Church offe­red the oppor­tu­ni­ty to knit the new church into an exi­sting con­ven­tio­nal shop­ping cen­ter in a subur­ban set­ting. By pla­cing the church in its new posi­tion new ways of thin­king about subur­ban urba­ni­sm were offe­red up.

Rela­zio­ne illu­stra­ti­va del progetto
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Foto inter­ni

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