Det­ta­glio del pro­get­to ed. 2024

reno­­va­­tion-of-the-pro­­te­­stant-church-rei­­charts­­­hau­­sen / Germany

klin­ken­berg arno

Pro­get­ti­sta Arno Klin­ken­berg
Loca­tion Hin­te­re Straße 2, 74934, Rei­charts­hau­sen, Baden — Württemberg
Nazio­ne Ger­ma­ny
Desi­gn Team

Arno Klin­ken­berg
Kat­ja Bathon

Anno 2023
Cre­di­ti Fotografici

Pho­to­gra­ph of all Pho­tos: Wer­ner Huth­ma­cher, Ber­lin Germany

Foto ester­ni

Descri­zio­ne del progetto

This com­pe­ti­tion win­ning desi­gn con­cept is based on the inter­play of mate­rial and light, as well as the con­nec­ting colo­red chairs.
Requi­red was the instal­la­tion of a com­mu­ni­ty room in the area “Under the Gal­le­ry” which is spa­tial­ly deve­lo­ped to cor­re­spond with the oppo­si­te choir area. The main entran­ce con­ti­nues to ser­ve as the main access point for the new mul­ti­pur­po­se room. This entran­ce allo­ws step­ping into the sacred spa­ce with a focus on the apse.
Woo­den panels wrap around the three outer sides of the new com­mu­ni­ty room like a ribon, crea­ting a sen­se of calm­ness and intimacy.
The fourth Wall of the com­mu­ni­ty room can be sepa­ra­ted from the sacred spa­ce by sli­ding elements.
The choir area has been exten­ded into the chur­ches spa­ce to posi­tion the altar clo­ser to the com­mu­ni­ty and allow for more fle­xi­ble use of the altar space.
The steps lea­ding to the apse form the floor of the choir and mer­ge into the back wall to con­ti­nue the­re as a ver­ti­cal ele­ment, simi­lar to an altar­pie­ce. The ambo, Easter cand­le, and side table echo this struc­tu­re of the new altar­pie­ce, rein­for­cing the uni­ty of the­se elements.
In con­tra­st, the new altar stands as a focal point in the new prin­ci­pal fami­ly and rests mono­li­thi­cal­ly in the choir area.
With its uni­form tri­par­ti­tion, the altar can be fle­xi­bly posi­tio­ned in the church spa­ce to meet the new needs of the church community.
As a nod to the sur­roun­ding orchards, the red­dish pear wood was cho­sen as the con­si­stent mate­rial for the visi­ble fit­tings of the com­mu­ni­ty room and the desi­gn of the altar area with its prin­ci­pal elements.
The color con­cept of the chairs is deri­ved from the lower stai­ned glass of the apse, which holds signi­fi­cant mea­ning for the church com­mu­ni­ty. Dif­fe­rent fur­ni­tu­re varia­tions and color com­bi­na­tions of the chairs can crea­te a con­stan­tly chan­ging and vibrant spa­tial atmo­sphe­re and sen­se of identity.

Rela­zio­ne illu­stra­ti­va del progetto
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Foto inter­ni

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