Det­ta­glio del pro­get­to ed. 2024

cafu­be / Switzerland

Alber­to Fresco

Pro­get­ti­sta Alber­to Julio Fresco
Loca­tion Caras­so, Bel­lin­zo­na, Ticino
Nazio­ne Swi­tzer­land
Desi­gn Team

LOKOMOTIV.archs — LKMV — office
Master of scien­ce in archi­tec­tu­re USI
Alber­to Julio Fre­sco archi­tet­to dipl. AAM USI OTIA
Via Bes­so 42a — 6900 Luga­no — Switzerland
https://www.lokomotiv-archs.ch

Anno 2018
Cre­di­ti Fotografici

Simo­ne Bos­si (tut­ti i file)

Foto ester­ni

Descri­zio­ne del progetto

In the search for the intrin­sic beau­ty of the archi­tec­tu­ral object, con­nu­bial of pure and func­tio­nal, the con­tai­ning silen­ce, the ephe­me­ral that comes to life, the pain and calm that embra­ce this buil­ding in one, highlight the con­tra­st with an archi­tec­tu­re monu­men­tal who­se mas­si­ve cha­rac­ter, hea­vi­ness, auste­ri­ty, balan­ce and func­tio­nal cohe­ren­ce are the masters. The joint and cer­tain­ty that gui­des the whirl­wind of ideas that enve­lo­ped this pro­ject was its func­tio­nal cohe­ren­ce, which is accom­pa­nied by the com­pli­cit and crea­ti­ve light of a new balance.

The object rests on the ground, aspi­ring to the sky, in a com­bi­na­tion of hea­vy load-bea­­ring inter­nal ske­le­ton wrap­ped exter­nal­ly by a can­did ori­ga­mi of slabs with a light and suspen­ded appea­ran­ce. This dia­pha­nous and clean skin, chi­se­led in a linear and rhy­th­mic way by trian­gu­la­tions and pure geo­me­tric sha­pes, comes to life and inter­ro­ga­tes the obser­ver throu­gh the light, which creeps into the sli­ts and crea­tes sha­do­ws that chan­ge over time.

The buil­ding thus beco­mes a sun­dial of a time that is not real and tan­gi­ble, but that refers to the times of man and life, of the expe­rien­ces that fol­low one ano­ther in a day and that are reborn at sunrise.

The monu­men­ta­li­ty and auste­ri­ty of this archi­tec­tu­ral typo­lo­gy is also reflec­ted in the distri­bu­tion of the inter­nal envi­ron­men­ts, ver­ti­cal distri­bu­tion throu­gh a stair­well and lift, and in the arti­cu­la­tion of the­se envi­ron­men­ts that respect the natu­ral turn of the decea­se­d’s body’s pre­pa­ra­tion practice.
The atten­tion of the desi­gner shif­ts and focu­ses on the discre­tion and com­ple­te dis­si­mu­la­tion of the inter­ven­tions and mecha­ni­sms that exi­st hid­den from the visi­to­r’s sight.
Thus, two distinct desi­gn lines are con­fi­gu­red that paral­lel public atmo­sphe­res, of recol­lec­tion and cere­mo­ny, with tech­ni­cal spa­ces lin­ked to the profession.

The visi­to­r’s wel­co­me con­sists of a recep­tion who­se can­did color is a direct reflec­tion of the enve­lo­pe, and who­se choi­ce of mate­rials is dic­ta­ted by the desi­re to crea­te a ten­­sion-free pas­sa­ge from outsi­de to insi­de. The main rooms that inte­re­st the visi­tor and on which the desi­gners’ gaze has lin­ge­red for a long time are made up of three small rooms on the second floor which over­look the main hall on the ground floor. The three rooms are sui­ta­ble to wel­co­me the decea­sed in an imme­dia­te, inti­ma­te and col­lec­ted way. The light that per­mea­tes the enve­lo­pe outsi­de per­mea­tes the glass sur­fa­ce of the sky­lights and deli­ca­te­ly blends with the inter­nal atmo­sphe­re. This same zeni­thal light is found in the main farewell room, who­se pecu­lia­ri­ty lies in the wide breath allo­wed by the ope­ning on a dou­ble height.

Rela­zio­ne illu­stra­ti­va del progetto
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Foto inter­ni

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