Det­ta­glio del pro­get­to ed. 2024

arre­­di-sacri-per-la-chie­­sa-del­­la-resu­r­­re­­zio­­ne-di-sesto-san-gio­­va­n­­ni / Italia

CINO PAO­LO ZUCCHI

Pro­get­ti­sta Cino Zuc­chi
Loca­tion Via Pisa, 37, 20099 Sesto San Gio­van­ni MI
Nazio­ne Ita­lia
Desi­gn Team

Cino Zuc­chi Architetti

Anno 2023
Cre­di­ti Fotografici

Gior­gio Martellono

Foto ester­ni

Descri­zio­ne del progetto

Fol­lo­wing the desi­gn and com­ple­tion of the Christ’s Resur­rec­tion Church in Sesto San Gio­van­ni in 2010, Cino Zuc­chi Archi­tet­ti was asked to desi­gn the sacred fur­ni­tu­res for the reli­gious func­tions of the church.

The CZA team enga­ged the design—from con­cept to execution—of five spe­ci­fic ele­men­ts to be pla­ced in the Pre­sby­te­ry and ano­ther desi­gna­ted area. The­se ele­men­ts com­pri­se the altar with a pre­del­la, the ambo, the Eucha­ri­stic custo­dian, the cele­bran­t’s seat, and the bap­ti­smal font. Cha­rac­te­ri­zed by clean and under­sta­ted forms, enri­ched by niches and cur­ves. The­se fea­tu­res, com­bi­ned with the jux­ta­po­si­tion of mate­rials such as sto­ne, metal, and wood, ensu­re ove­rall uni­for­mi­ty whi­le pre­ser­ving the distinct essen­ce of each one
The Altar is con­cei­ved as a mono­li­thic ele­ment fea­tu­ring four niches, posi­tio­ned on each front and desi­gned in ele­va­tion as arches with a lowe­red pro­fi­le. The cho­sen mate­rial is a recon­sti­tu­ted sto­ne ter­raz­zo in light tones and fine grain, crea­ting the impres­sion of a cohe­si­ve and seam­less ele­ment in its continuity.
The Eucha­ri­stic custo­dian stands on its sto­ne pede­stal desi­gned simi­lar­ly to the altar and ambo. Atop this pede­stal emer­ges ano­ther com­po­nent, craf­ted from the same mate­rial, cha­rac­te­ri­zed by a cir­cu­lar plan and a hol­low inte­rior to hou­se the Eucha­ri­stic offe­ring. Cro­w­ned with a metal cross, this sym­me­tri­cal sha­pe inclu­des an ope­na­ble cover made of poli­shed brass with a gil­ded finish and sub­tle sur­fa­ce detailing.”
The Ambo, also craf­ted from recon­sti­tu­ted sto­ne ter­raz­zo in light tones, adop­ts the sha­pe of a free­stan­ding ste­le situa­ted at the left cor­ner of the Pre­sby­te­ry; two niches car­ved into the cor­ners of the volu­me con­tri­bu­te to refi­ne the objec­t’s silhouet­te, crea­ting an impres­sion of an ele­ment exten­ding towards the cen­tral nave.
The cele­bran­t’s seat is con­cei­ved as a cubic volu­me inter­nal­ly exca­va­ted to form the sea­ting area. The struc­tu­re is craf­ted from recon­sti­tu­ted sto­ne ter­raz­zo, whi­le the part accom­mo­da­ting the cele­brant is clad in a light oak wood.
The Bap­ti­smal Font is the only ele­ment that, due to its natu­re, resi­des outsi­de the con­fi­nes of the Pre­sby­te­ry; it is situa­ted adja­cent to the lar­ge win­dow by the chur­ch’s main entran­ce. The Font fea­tu­res a ter­raz­zo pede­stal with a cir­cu­lar sec­tion and a metal ele­ment outli­ning the basi­n’s peri­me­ter to hold the con­se­cra­ted water; this metal ele­ment is craf­ted from tur­ned cop­per sheet with a poli­shed, gil­ded finish.

Rela­zio­ne illu­stra­ti­va del progetto
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