Det­ta­glio del pro­get­to ed. 2024

capi­l­­la-rlj / Mexico

RICAR­DO YSLAS GAMEZ

Pro­get­ti­sta Ricar­do Yslas Gamez
Loca­tion San Juan Cosa­lá, México
Nazio­ne Mexi­co
Desi­gn Team

Arq Ricar­do Yslas Gamez, arq. Ale­jan­dro Beyer Con­tre­ras, Arq. Jaco­bo Díaz Castil­lo, Arq. Gusta­vo Ortiz Aguas, Arq. Jor­dan de la Paz Her­nán­dez, Ing. Erne­sto Ramí­rez Salazar

Anno 2016
Cre­di­ti Fotografici

Jai­me Navarro

Foto ester­ni

Descri­zio­ne del progetto

It is cha­rac­te­ri­zed by the use of expo­sed con­cre­te and steel as domi­nant mate­rials, con­tra­sting with natu­ral mate­rials such as wood, quar­ry and sto­ne from the region.

The pro­ject fol­lo­ws a baro­que pat­tern in the access rou­te that allo­ws it to play with the light and the sur­pri­se of the patio behind the altar. Accom­pa­ny­ing this intel­li­gent use of rou­tes is the inte­re­sting desi­gn of the roof, with its dif­fe­rent folds and its cur­ved tile finish.



Loca­ted in the town of San Juan Cosa­lá, Jali­sco, Capil­la RLJ con­sists of a reli­gious buil­ding that is part of the master plan for an even­ts and rela­xa­tion com­plex.

The ini­tial approach was to inte­gra­te the cha­pel into its imme­dia­te con­text, adap­ting to the topo­gra­phy of the site and respec­ting the exi­sting vege­ta­tion. The use of appa­rent mate­rials defi­nes the pro­ject, with expo­sed con­cre­te and steel being the domi­nant mate­rials, con­tra­sting with natu­ral mate­rials such as wood, quar­ry and sto­ne from the region.  

Con­si­de­ring the use of the pro­ject, inte­gra­tion into the social con­text was sought, so the main access was pro­jec­ted onto the public road; gene­ra­ting the inclu­sion of the com­mu­ni­ty and visi­tors, despi­te being loca­ted within a pri­va­te pro­per­ty.

Outsi­de, the­re is an access patio that func­tions as an atrium, made up main­ly of car­ved sto­ne, which in turn gives access to the dres­sing tables, the sacri­sty and the inte­rior of the cha­pel. This mee­ting spa­ce is sur­roun­ded by two solid ele­men­ts, crea­ting inte­re­sting visual endings towards the land­sca­pe.

The main volu­me is made up of two lar­ge con­cre­te walls and a steel struc­tu­re that sha­pes the roof. This serial struc­tu­re was desi­gned as a two-sto­­ry roof that chan­ges its com­po­si­tion to a flat roof. The inte­rior is made up of an area with 12 ben­ches with capa­ci­ty for 72 atten­dees, a choir and the altar area.

The con­cre­te walls extend to accom­mo­da­te an open rear cour­tyard that pro­vi­des access to the under­ground mau­so­leum, and the cen­ter con­tains a suspen­ded steel cross, which was desi­gned and manu­fac­tu­red by the firm. This patio ends at the back with a quar­ry wall with a geo­me­tric pat­tern that accen­tua­tes the depth of the spa­ce over which the cross-sha­­ped sculp­tu­ral ele­ment floa­ts.

The objec­ti­ve of the pro­po­sal was to crea­te a wor­ship spa­ce with a mate­ria­li­ty and geo­me­try defi­ned by the essen­tial ele­men­ts of a cha­pel, whe­re the entry of natu­ral light and con­tra­st of tex­tu­res crea­tes a sere­ne and emo­tio­nal atmosphere.

Rela­zio­ne illu­stra­ti­va del progetto
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