Detail of the project ed. 2016

valer-church / sivi­larkitekt espen surnevik as

Design­er  Espen Surnevik
Loca­tion  Våler — Hed­mark — Norway
Design Team  

sivi­larkitekt espen surnevik as

Project-archi­­tect Espen Surnevik MNAL (1973)

Colab­o­rat­ing artist for the; res­ur­rec­­tion-frieze, artist Espen Diet­rich­son (1976)

Year  2015
Pho­to credits  

Ras­mus Norlander

Pho­to external

Project descrip­tion

After a fire Våler church is bring­ing back the lost cen­ter­point for belief to the peo­ple of Våler. The church is made of the forests which sur­rounds it, and from the mate­ri­als which has fed the local com­mu­ni­ty for generations.
The church is cre­at­ed as a response to the local land­scapes and its his­to­ry. At the same time its inspired by the long inter­na­tion­al tra­di­tion of church-archi­tec­­ture in a for­ward point­ing expres­sion. Two tow­ers gestalts the inner cer­e­mo­ni­al spaces. The low roofs define the sup­port­ing functions.
A flex­i­ble plan allows the church to be used in many ways, also for cul­tur­al events. As an anal­o­gy to the old cross-church, the plan is based on a quadrat with four can­tilevered oriels point­ing north, south, east and west. The pro­ces­­sion-axis stretch­es diag­o­nal trough the plan, and con­nects the cer­e­mo­ni­al rooms in one order as a con­trasts to the orthog­o­nal building.
The project inves­ti­gates how the new church­es can be a suit­able church-cul­­tur­al-are­­na but in a mon­u­men­tal way. The inte­ri­ors are designed as warm and includ­ing spaces for the cold win­ters. In the 24m high church­room, the “res­ur­rec­­tion-frieze” reflects nature and the sea­sons on the out­side. The frieze is sym­bol­iz­ing the Halo of Christ by its shape and light. At the same time the point­ed ends remind us about the crown of thorns.
Win­dows on top of both tow­ers, cre­ates a rela­tion between heav­en and the cer­e­mo­ni­al rooms. A black cross projects a shad­ow on the walls of the church­in­te­ri­or as the sun pass­es over the sky, and man­i­fests that the sym­bol­ic cross is immov­able. The cross is con­struc­tive, and remov­el will destruct the dome.
The bap­tismal font, from 1160, was res­cued from the fire. It now crowns the church’s inte­ri­or and bring Vålers tra­di­tions on to every new­born child in the community.
Våler church is a his­to­ry of a peo­ple which lost their most beloved build­ing, but man­aged to turn dark­ness into light by res­ur­rect­ing their church. Light is its main theme, and sym­bol­izes opti­mism and hope.

Illus­tra­tive project report
Down­load report

Pho­to internal

Tech­ni­cal drawings

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