Detail of the project ed. 2020

PABLO MIL­LAN – SAN­TISI­MO SACRA­MEN­TO CHAPEL

Design­er Pablo Manuel Mil­lán Millán
Loca­tion Martín de la Jara (Sevil­la, España).
Design Team

Pablo‑M. Mil­lán Mil­lán, architect
Javier Ser­ra­no Ter­rones, tech­ni­cal architect

Year 2017
Pho­to credits

Javier Calle­jas Sevilla

Pho­to external

Project descrip­tion

In quibus vis­i­tavit nos, oriens ex alto.
To think of a space des­tined to house the Blessed Sacra­ment is to think of a very spe­cif­ic area with­in a tem­ple, the Sanc­ta San­to­rum, a place for the encounter with God. If we ana­lyze how these spaces have mate­ri­al­ized through­out the his­to­ry of archi­tec­ture, we observe a rad­i­cal impor­tance of geom­e­try and strong direc­tion­al­i­ty. Under these premis­es, Diego de Siloé will draw a new Renais­sance plan for the cathe­dral of Grana­da with the sole objec­tive of being an impos­ing cus­tody or lat­er Leonar­do de Figueroa will do the same with the baroque San Luis de los Franceses.
“By the ten­der mer­cy of our God, the sun that ris­es from above will vis­it us.” The Light, accord­ing to the the­o­log­i­cal expe­ri­ence of Zacharias, comes from above and is the dai­ly proof of the good­ness of God towards his peo­ple. Evi­dence of this truth has undoubt­ed­ly been the inten­tion by mak­ing a space in which only an open­ing above shows dai­ly to the parish­ioners of the chapel that God is with his people.
The con­struc­tion of this small chapel starts from the need of the adja­cent church to intro­duce light. Thus, the project aris­es from a sin­gle reflec­tion, cre­at­ing “a box for the Light”, with the dou­ble mean­ing of being a box that con­tains light for the rest of the tem­ple and of being a place that will con­tain the Light for all Chris­tians: the Blessed Sacra­ment. Search­ing for light, pos­si­bly the most impor­tant task of any archi­tect, has become latent in this project by mak­ing a con­tain­er space that due to its ori­en­ta­tion and zenith open­ing is capa­ble of intro­duc­ing clar­i­ty through­out the church. Thus, the entire sur­face will be white and clean. Fol­low­ing this same cri­te­ri­on, the floor of the rest of the tem­ple will be changed with the aim of greater luminosity.
The search for an essen­tial, bare space, with­out any ele­ment that could dis­tort what is rad­i­cal­ly impor­tant in a sacra­men­tal chapel, has led us to opt for a Fran­cis­can archi­tec­ture, sober, clean of form and dec­o­ra­tion. The pre­ci­sion sought in a space of these char­ac­ter­is­tics will be deter­mined by a strict, rad­i­cal geom­e­try, with­out any option that could be a rea­son for dis­per­sion. Thus, a con­cen­trat­ed space will be a clean and illu­mi­nat­ed space, a space in which the Blessed Sacra­ment is the cen­ter, and in an almost theo­phan­ic way, light is proof of this.

Illus­tra­tive project report
Down­load report

Pho­to internal

Tech­ni­cal drawings

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