Detail of the project ed. 2024

tamkang-church / Germany

Design­er Yu Han Michael Lin
Loca­tion Kand­ing 5th Rd, No. 155, 251, Tam­sui Dis­trict, New Taipei City
Nation Tai­wan
Design Team

Behet Bondzio Lin Architekten

Year 2021
Pho­to credits

©YuChen Chao Photography

Pho­to external

Project descrip­tion

A Church with­in a Fortress.

All church build­ings are built with the hope of inter­pret­ing the Chris­t­ian doc­trine per­spec­tive of the
world (weltan­schau­ung in Ger­man). The Tamkang Church empha­sizes eter­ni­ty, uni­ver­sal­i­ty and
community.
Because of the dif­fi­cul­ty of acquir­ing land rights and the crowd­ed­ness of met­ro­pol­i­tan spaces in
Tai­wan, reli­gious archi­tec­ture in this coun­try often ought to con­front the dis­tance between man
and heav­en caused by the ver­ti­cal mass­ing of build­ings. Unlike Euro­pean church­es that are able
to cre­ate sanc­ti­ty through struc­ture, ele­vat­ed space and mys­te­ri­ous light­ing between the ground
lev­el and roof, the Tamkang Church also has to face the chal­lenge of ful­fill­ing the build­ing code
and floor area require­ments by ver­ti­cal­ly stack­ing both the day-to-day and sacred spaces of the
church. How to build a holy and sanc­ti­fied place that embraces the love and com­pas­sion within
soci­ety is the most crit­i­cal focus of the design of the Tamkang Church.
The archi­tec­ture of cathe­drals often uses the cru­ci­form shape as the main ele­ment to orga­nize its
space; the design con­cept of the Tamkang Church is also based on the cross but in a broader
sense. It inter­weaves people’s lives through the church cel­e­bra­tions and their dai­ly lives and brings
nature into city life.
The site is locat­ed on the north­ern­most side of the island of Tai­wan, Dan­hai in New Taipei City is
a windy and rainy city on the coast­line. The build­ing faces the harsh con­di­tions of this seashore
and embraces the beau­ti­ful scenery of this envi­ron­ment. Although the cus­tomized thick double
lay­ered walls can be used as an archi­tec­tur­al ele­ment that reg­u­lates the cli­mate they also play
the role of inter­twin­ing lives with­in the space.
The mas­sive mate­ri­al­i­ty of the build­ing responds not only to the cli­mate con­di­tions of its site but
also to the reg­u­la­tion and fun­da­ments of con­struc­tion in a place so wild­ly affect­ed by
earthquakes.
The pres­ence of con­crete as the main build­ing mate­r­i­al takes form using dif­fer­ent treat­ments and
tech­niques. The walls that con­form the skin of the build­ing are most­ly clean-washed exposed
con­crete on the inside while they show the imprint of wood boards on the out­side. Locat­ed at the
entrance of the build­ing an image of Jesus was param­e­trized and trans­ferred to the
form­work to cast the con­crete with it. On the ninth floor behind the bap­tism space, there is a wall
cast with a steel tubes pat­tern to achieve a wall carved with curves. On the same floor, the
con­fes­sion room on the out­side is fin­ished with rough con­crete while its inte­ri­or is cast with fine-washed exposed con­crete, play­ing with the sym­bol­ism of the tran­si­tion that takes place dur­ing the
confession.
The win­dow orga­ni­za­tion is con­ceived as a con­stel­la­tion of shades of lights. This can be
expe­ri­enced com­ing up to the third and fourth floors, where the church space is. In the main stair
space in between walls on the west side, in the after­noon the sun per­forms an inten­tion­al cubist
paint­ing made out of light.
Church­es in Tai­wan play a dif­fer­ent role in soci­ety than they do in Europe. Senior Pastor
Albert Huang from the Tamkang Church once said that the Tamkang Church would be a church
where any­one would be wel­come, and he want­ed to put the focus on its role of social welfare—
under the premise of rec­og­niz­ing “every­one is a sin­ner,” and “nobody is per­fect,” it would help
rem­e­dy the defects in the soci­ety. Thus, the Tamkang Church leaves more than half of their
facil­i­ties to be used as a social wel­fare cen­ter, empha­siz­ing com­mu­ni­ca­tion but not hierarchy,
secu­ri­ty but not dis­tance. The archi­tec­ture must reflect on its social respon­si­bil­i­ty, bear­ing the
cross to serve this land.

Explana­to­ry report of the project
Down­load report

Pho­to internal

Tech­ni­cal drawings

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