Det­ta­glio del pro­get­to ed. 2016

capi­l­­la-uni­­ve­r­­si­­ta­­ria-upaep / RODRÍ­GUEZ ROSAS ARQUITECTOS

Pro­get­ti­sta  MTRO. ARQ. FER­NAN­DO RODRÍ­GUEZ CONCHA
Loca­tion  PUE­BLA PUEBLA
Desi­gn Team  

Mtro. Arq. Fer­nan­do Rodrí­guez Concha.
Mtra. Arq. Lore­na Veró­ni­ca Oro­z­co Velázquez
Arq. Car­men María Rodrí­guez Rosas
Aman­da Michel­le Man­ce­ra Hernández
Jés­si­ca Báez
Ócar Pérez

Anno  2015
Cre­di­ti Fotografici  

Mtro. René Octa­vio Huer­ta (Outsi­de pho­to: 4&5; insi­de pho­to: 2,3&4)
Ilse A. Mar­tí­nez Tel­lo (Outsi­de pho­to: 2&3; insi­de photo:1)
Cyn­thia M. Cor­tés Nar­cia (Outsi­de pho­to: 1; insi­de pho­to: 5)

Foto ester­ni:

Descri­zio­ne del progetto

UPAEP Uni­ver­si­ty Cha­pel is an exam­ple of con­tem­po­ra­ry reli­gious archi­tec­tu­re: attrac­ti­ve, acces­si­ble and func­tio­nal. The entran­ce loca­ted on 21 South Street gives access to the who­le com­mu­ni­ty of Santiago´s Nei­gh­bo­rhood, lea­ding us insi­de throu­gh a squa­re gar­den with lit foun­tains, spa­ces for reflec­tion and rest.

From the cam­pus, the buil­ding can ope­ra­te as an open cha­pel, but the dai­ly access is by a system of vaul­ts and domes par­ti­tion appa­rent that call us to the silen­ce and recol­lec­tion, pre­pa­ring us for an expe­rien­ce of calm reflec­tion. Once insi­de the sacred spa­ce, we find a desi­gn that enhan­ces our tra­di­tio­nal values and miscegenation.UPAEP Uni­ver­si­ty Cha­pel is a work of art that was inten­ded to be exe­cu­ted by the expert hand of our tra­di­tio­nal Mexi­can artisans.

The buil­ding in que­stion has small dimen­sions and yet monu­men­tal pre­sen­ce. It can accom­mo­da­te 148 peo­ple for Eucha­ri­stic cele­bra­tions behind clo­sed doors, howe­ver, fle­xi­bi­li­ty and tech­no­lo­gy of its faci­li­ties allow its faca­de to open and cele­bra­te the litur­gy on a lar­ger sca­le using the Foun­ders walk. (An open area in front of the chapel).

The floor plant is prac­ti­cal­ly a rec­tan­gu­lar pri­sm con­di­tio­ned by sur­roun­ding buil­dings, never­the­less breaks the ortho­go­na­li­ty of the peri­me­ter walls whith the cover, that is divi­ded into four ascen­ding slabs. At the top of each wall, two steel beams emer­ge, their cur­vean form resem­ble inver­ted para­bo­las, with the struc­tu­ral func­tion of sup­por­ting the four slabs cove­ring the lon­gi­tu­di­nal cour­se of the cha­pel. Bet­ween the cover con­cre­te and the woo­den cei­ling of each slab, duc­ts which are used for natu­ral ven­ti­la­tion of the buil­ding by air con­vec­tion are for­med. Slen­der rec­tan­gu­lar pla­nes make up each of the slabs, unfol­ding them­sel­ves from top to set­tle on a lock that fra­mes the main entrance.

Rela­zio­ne illu­stra­ti­va del progetto
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Foto inter­ni

Dise­gni tecnici

TOR­NA ALLA PAGI­NA DEI PROGETTI