Det­ta­glio del pro­get­to ed. 2016

cha­­pel-of-the-north-ame­­ri­­can-mar­­tyrs / Hod­getts + Fung

Pro­get­ti­sta  Craig Hodgetts
Loca­tion  Sacra­men­to, California
Desi­gn Team  

Archi­tect: Craig Hod­getts and Hsin­ming Fung
Pro­ject Lead: Darin Vieira

Anno  2014
Cre­di­ti Fotografici  

File name: Jesuit High School Cha­pel _ Exte­rior Photos_1; Pho­to cre­dit: Hod­getts + Fung, Joe Fletcher
File name: Jesuit High School Cha­pel _ Exte­rior Photos_2; Pho­to cre­dit: Hod­getts + Fung, Hod­getts + Fung, Joe Fletcher
File name: Jesuit High School Cha­pel _ Exte­rior Photos_3; Pho­to cre­dit: Hod­getts + Fung, Joe Flet­cher, Joe Fletcher
File name: Jesuit High School Cha­pel _ Exte­rior Photos_4; Pho­to cre­dit: Hod­getts + Fung
File name: Jesuit High School Cha­pel _ Exte­rior Photos_5; Pho­to cre­dit: Hod­getts + Fung
File name: Jesuit High School Cha­pel _ Inte­rior Photos_1; Pho­to cre­dit: Joe Flet­cher, Hod­getts + Fung, Hod­getts + Fung
File name: Jesuit High School Cha­pel _ Inte­rior Photos_2; Pho­to cre­dit: Joe Flet­cher, Hod­getts + Fung
File name: Jesuit High School Cha­pel _ Inte­rior Photos_3; Pho­to cre­dit: Hod­getts + Fung, Joe Fletcher
File name: Jesuit High School Cha­pel _ Inte­rior Photos_4; Pho­to cre­dit: Hod­getts + Fung
File name: Jesuit High School Cha­pel _ Inte­rior Photos_5; Pho­to cre­dit: Joe Fletcher

Foto ester­ni:

Descri­zio­ne del progetto

Posi­tio­ned as an ico­nic struc­tu­re that will greet stu­den­ts on their dai­ly arri­val, the Cha­pel of the North Ame­ri­can Mar­tyrs is meant to be a wel­co­ming pre­sen­ce when approa­ched from the cam­pus, and a sym­bol of spi­ri­tual aspi­ra­tion from the near­by high­way. A focus on the spi­ri­tual qua­li­ties of light, spa­ce, and pro­ces­sion led the archi­tec­ts to a fun­da­men­tal recon­fi­gu­ra­tion of tra­di­tio­nal Catho­lic forms. Mode­st in size, with strong yet sim­ple geo­me­try, endu­ring mate­rials, and light-fil­­led spa­ces, the Cha­pel pro­vi­des a mul­ti­va­lent icon for the cam­pus, and anchors a sym­bo­lic pro­gres­sion from dyna­mic cam­pus life to a more con­tem­pla­ti­ve sacred space. 

The desi­gn is based on geo­me­tric prin­ci­ples dating to the begin­nings of sacred archi­tec­tu­re. Arcs, axes, and ali­gn­men­ts have been care­ful­ly orche­stra­ted to crea­te a sub­tle yet ine­vi­ta­ble path towards the sanc­tua­ry, and from the­re, towards the altar. 

A sim­ple fol­ded pla­ne pro­vi­des shel­ter. Bra­ced by a thor­ny web of steel, the puri­ty of the sur­fa­ce is unbro­ken save for color­ful embos­sed reces­ses to cap­tu­re natu­ral light. Within, por­tals to the sanc­tua­ry spi­ral out bet­ween the cur­ving walls of a semi­cir­cu­lar ambu­la­to­ry, which itself is con­tai­ned by a col­la­ge of trans­lu­cent glass pri­sms that paint ever-cha­n­­ging colors on the walls of the sanc­tua­ry. Tin­ted to refer to the sea­sons of Catho­lic litur­gy, and illu­mi­na­ted by the cour­se of the sun to crea­te an atmo­sphe­re of sha­do­ws, light, and litur­gi­cal mea­ning fit­ting for spi­ri­tual awa­ke­ning, their uni­que desi­gn was the result of nume­rous expe­ri­men­tal mock-ups in order to assu­re us that the colors would be visi­ble from the exte­rior as well as being able to tran­smit colo­red light.

A sin­gle aper­tu­re in the roof pro­vi­des a pas­sa­ge for the mount upon which the cross is held aloft, and casca­des light along its sur­fa­ce into the sanc­tua­ry, thus lea­ding the eye of the pari­shio­ner upwards and out­wards to share the sky with the sim­ple, unaf­fec­ted cross.

Rela­zio­ne illu­stra­ti­va del progetto
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Foto inter­ni

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