Det­ta­glio del pro­get­to ed. 2016

katho­­li­­sche-kir­­che-die­­te­­n­­ho­­fen / Archi­tekt Frey

Pro­get­ti­sta  Karl Frey
Loca­tion  Dietenhofen
Desi­gn Team  

Dipl.-Ing. Archi­tekt BDA Karl Frey,
Diö­­ze­­san- und Universitätsbaumeister
mit
Dipl.-Ing. Archi­tekt Richard Breitenhuber
Dipl.-Ing. Archi­tekt (FH) Robert Fürsich

Anno  2009
Cre­di­ti Fotografici  

Carl Lang, Fuerteventura

Foto ester­ni:

Descri­zio­ne del progetto

For cen­tu­ries light has been play­ing a key role in church buil­dings. In gothic chur­ches, glass win­do­ws were used to con­vey theo­lo­gi­cal mes­sa­ges and pro­vi­de mysti­cal atmo­sphe­re. Light has been and still is the medium of all immaterial.

Ente­ring the modern church of Die­te­n­ho­fen is immer­sing one­self in a spa­ce of light beyond ima­ges and symbols.

The exte­rior of the church con­sists of two glass shells: an outer shell made out of sca­led glass ele­men­ts, who­se inner sur­fa­ce sho­ws a ran­ge of screen-pri­n­­ted lines; an inner shell made of glass with dark, hand-pai­n­­ted and slightly sand­bla­sted ele­men­ts. Ver­ti­cal sec­tions of hand-made glass in red, blue, green and gold fill the church\\\\\\\\\\\\\\\‘s inte­rior with mysti­cal light. 

Karl Frey desi­gned the church in the sha­pe of an ellip­se, thus deny­ing it a con­cre­te cen­ter, but giving it two oppo­si­te focal poin­ts instead. Althou­gh the­se focal poin­ts are oppo­si­te to each other they stron­gly cor­re­spond and thus crea­te a spe­ci­fic dyna­mic and ten­sion. They also repre­sent a fun­da­men­tal que­stion of human exi­sten­ce: the rela­tion­ship bet­ween God and man. 

Ano­ther aspect that makes this church an impor­tant exam­ple of con­tem­po­ra­ry archi­tec­tu­re is the fact that the buil­ding uses rege­ne­ra­ti­ve ener­gy only – the fir­st of its kind in Germany.

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Foto inter­ni

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